Nothing Is Invisible

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Posts Tagged ‘Babel’

Babel – Starring Brad Pitt & Cate Blanchett, directed by Alejandro Gonzalez Inarritu

Posted by the editors on Monday, 2 January 2012

Babel (2006)  Directed by Alejandro González Inarritu ( Amores perros (2000), 21 Grams (2003), Biutiful (2010)), starring Brad Pitt (12 Monkeys (1995), Burn After Reading (2008), Moneyball (2011)), Cate Blanchett (Elizabeth (1998), The Aviator (2004), The Curious Case of Benjamin Button (2008)), Gael García BernalKoji Yakusho, in an outstanding ensemble cast, written by Guillermo Arriaga (Amores perros (2000), 21 Grams (2004), The Three Burials of Melquiades Estrada (2005), The Burning Plain (2009)), with Academy Award-winning music by Gustavo Santaolalla (Brokeback Mountain (2005), Into the Wild (2007), Biutiful (2010)).  This drama, in which a tragic event links multiple interwoven story lines, two in Morocco, one in Japan, and one in California and Mexico, is the poignant story of north, south, east, west, parents, children, love, loss, anguish, trust, hope and tragedy. As befits its title, Babel is about language, of course, and its diversity; among the languages present in the film are English, Spanish, Japanese, Berber and sign language, and the diverse cultural and environmental contexts are wonderfully present through richly visual characterisations, from the vast, natural rugged terrain of Morocco to the dense, man-made mass of urban Japan, and through powerful and evocative sound and music.   The biblical story of Babel is, in a nutshell, that as punishment for trying to build a tower that would reach heaven, the human race was scattered over the face of the earth, dispersed, divided and unable to communicate.  And, in the film, communication is indeed very difficult, not only across languages and cultures but within them, between individuals.  However, through the powerful and sensitive use of close-ups, the exquisite writing and the purity of the acting on the part of virtually the entire cast, it is very much the case that, beyond words, or perhaps beneath them, human emotion is very much something we all share, we can all understand.  Children are extremely important in the film, from a lost child, to the two young Moroccan brothers, to the two young Americans brought to Mexico, to the distraught teenage Japanese girl so powerfully portrayed by Rinko Kikuchi; Inarritu has dedicated the film “To my children…the brightest of lights in the darkest night..”  Babel is not an easy film; it is filled with tragedy and near-tragedy, yet through its inspired writing, outstanding directing, humble and beautiful acting, it is a truly excellent film, contemporary and yet perhaps timeless, and most definitely a must-see.  And if you’ve already seen it, see it again, it is only that much richer an experience. (PR)

See our posts on the films Inglourious Basterds, starring Brad Pitt and The Three Burials of Melquiades Estrada, written by Guillermo Arriaga and directed by and starring Tommy Lee Jones.

We recommend that you buy your DVDs and Blu-ray Disks.  Have a great personal film library..  Here are links to amazon.com (Amazon Instant Video, DVDs, and Blu-ray Disks, in that order, where available):

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The Three Burials of Melquiades Estrada

Posted by the editors on Sunday, 30 October 2011

The Three Burials of Melquiades Estrada (2005)(DVD)  Directed by and starring Tommy Lee Jones (as actor: The Fugitive (1993), Natural Born Killers (1994), Men in Black (1997), Space Cowboys (2000), No Country for Old Men (2007), In the Valley of Elah (2007)), with Barry Pepper (Saving Private Ryan (1998), Seven Pounds (2008), True Grit (2010)), and others; screenplay by Guillermo Arriaga (21 Grams (2004), Babel (2006), The Burning Plain (2009)); music by Marco Beltrami (3:10 to Yuma (2007), The Hurt Locker (2008)); cinematography by Chris Menges (The Killing Fields (1984), The Mission (1986), The Reader (2008), Extremely Loud and Incredibly Close (2011)).  A vision of the American West, with a very keen eye for detail, and not too distant from that found in No Country for Old Men, also starring Tommy Lee Jones, looking at honor and morality, friendship and the relations between men and women, and man, his history, and the stark beauty of the vastness of Texas/Mexico border,  The Three Burials of Melquiades Estrada can be darkly funny, and say as much without words as with them.  Tommy Lee Jones shows an extraordinarily deft hand in his directing, and his acting is, of course, superb.  Perhaps not for the excessively squeamish, The Three Burials of Melquiades Estrada, is, nevertheless, a must-see film. (PR)

We recommend that you buy your DVDs.  Have a great personal film library..

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Posted in DVDs, film, Film Reviews, General, Movies, Nothing Is Invisible, nothingisinvisible | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 5 Comments »

Inglourious Basterds

Posted by the editors on Monday, 5 September 2011

Inglourious Basterds, directed by Quentin Tarantino, theatrical release poster

Inglourious Basterds (2009)(DVD) Written and directed by Quentin Tarantino (Reservoir Dogs  (1992)Pulp Fiction (1993), Jackie Brown (1997), Kill Bill (Vol. I & II) (2003, 2004)) ; starring Brad Pitt (A River Runs Through It (1992), Seven (1995) Snatch (2000), Babel (2006) and many more), Christoph Waltz (The Green Hornet (2011)), Diane Kruger (Troy (2004), Goodbye Bafana (2007), Unknown (2011)) and others.   Tarantino has said, it’s my “bunch-of-guys-on-a-mission film. [It’s] my Dirty Dozen or Where Eagles Dare or Guns of Navarone kind of thing”,  and, quite rightly, it is, indeed.  Brad Pitt is, as usual, quite good, and Christoph Waltz, simply award-winning (Best Leading Actor, at Cannes,and BAFTAGolden GlobeScreen Actors Guild Award and Academy Award for Best Supporting Actor in 2009); Diane Kruger is just fine in the role of Bridget von Hammersmark.  Brutal, violent, funny and fantastical, Inglourious Basterds, may best be described as Anne Thompson of Variety did: “Inglourious Basterds is great fun to watch, but the movie isn’t entirely engaging… You don’t jump into the world of the film in a participatory way; you watch it from a distance, appreciating the references and the masterful mise en scène.” (PR)

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